Andrew Oliver – No Local Stops (Rivermont, 2020)
American pianist Andrew Oliver plays ragtime, stride, and early jazz with a rare combination of energy, authenticity, and technical prowess. A specialist in the music of Jelly Roll Morton, Oliver has cultivated a hot, stomping style that emphasizes the exciting groove that brought jazz to the forefront of popular music in the 1910s and ’20s. In No Local Stops, Oliver serves up some of Morton’s best-loved piano works, supplementing them with masterpieces by Willie “The Lion” Smith, Joseph Lamb, Seger Ellis, James P. Johnson, Arthur Schutt, Frank Melrose, and others. The performances are bold, virtuosic, and thoroughly captivating. 3 tracks feature renowned percussionist Nicholas D. Ball.
Orchestre Typique Transatlantique – Biguines Pour Vous (2020)
In this album, we present our versions of 13 Biguines, Valses, and Mazouks from some of the great dance orchestras of Martinique and Guadeloupe from the 1920s-1950s. This music was one of the many creole forms of music which evolved throughout the world in the early 20th century as a result of colonization and its aftermath. The somewhat unlikely combination of French ballroom dance forms and African rhythms in these Caribbean islands gave birth to this exciting and rambunctious style of music in the early 20th century. Musicians such as Alexandre Stellio brought the style to Paris in the 1920s and 30s and sparked an international Biguine sensation that predated the later international crazes for other Caribbean and South American music styles such as the mambo, tango, calypso, and bossa nova. The music’s strong percussion sections, unusual swooping clarinet and trombone melodies, and undeniable tropical aesthetic survive today on the great recordings by Stellio, Eugene Delouche, Alphonso, and many others.
Andrew Oliver and Friends – House Bound Jazz (2020)
A collection of 33 overdubbing recordings made during quarantine by expert hot jazz musicians around the world!
“They coalesce in dozens of small all-star groups on multi-track recordings that can only be described as a creative explosion. The project includes musicians from around the world, some in the top tier of their instruments. Every jazz fan needs to hear it.” – Syncopated Times
“One finds it hard to believe that the participants were not in the same room together, which is praise indeed, given the circumstances.” – Vintage Jazz Mart
Andrew Oliver and David Horniblow – The Complete Morton Project (Lejazzetal, 2019)
One of the top 10 jazz albums of 2019 in the Times!
Brilliantly played and madly enjoyable. JAZZ JOURNAL
Compelling, soulful and huge fun. SUNDAY TIMES UK
A sensational new album … two extraordinary musicians. JAZZ WAX
They’re fantastic… spirited and accomplished perfomances. THE GUARDIAN
Expertise, eloquance and good taste that is both rare and welcome. JAZZ DA GAMA
They amaze with the depth, nuance and rhythm they draw out of each of these titles. SYNCOPATED TIMES
The Dime Notes – The Dime Notes
(Lejazzetal / Fremeaux 2016)
One thing we tend to forget, squabbling over discographies, is how sexy this brand of early jazz can be. It’s easy to assume that Jelly Roll Morton, Sidney Bechet et al can’t speak to a younger generation, but the pianist Andrew Oliver’s quartet lays that notion to rest. – THE SUNDAY TIMES
Lovingly curated examples of great music from the ancestral repertoire of jazz – JAZZ DA GAMA
Swings from start to finish – JUST JAZZ UK
Laid-back swing and clever interplay makes their music feel fresh and vibrant – JAZZ SOCIETY OF OREGON
The Vitality Five – Syncopation Gone Mad
(VEAC Phonograph Co., 2018)
When we first formed the Vitality Five in 2015, one of our main aims was to focus on performing a wide variety of compositions and styles beyond the common traditional jazz repertoire, and the versatility and commitment of the band members provides an ideal workshop for shedding some light on the amazing dusty corners of early stomps, blueses, and rags. This album features 17 numbers ranging from hot stomps to dirty blueses, all performed by an international cast of true specialists in the style.
Horniblow’s Hot Three – Steppin’ On The Gas
(VEAC Phonograph Co., 2019)
Comprising specialist syncopators from the UK and USA, Horniblow’s Hot Three play riotous 1920s hot jazz – the original piano trio format at its most stomping. Specialisms include elegant ‘impressionist’ jazz of the late 20s, imaginative versions of classic ragtime tunes, and spirited recreations of the down-home washboard-trio style of Jimmie O’Bryant and George McLennon. Horniblow’s Hot Three incorporate humour, musicological research, foot-stamping energy, and a commitment to representing the full spectrum of 1920s jazz from the ridiculous to the revolutionary.
The Louisiana Five / Horniblow, Oliver, Wheatley, Lowe & Ball – Clarinet Squawk! (VEAC Phonograph Co., 2019)
In 2019, the year of their centenary, VEAC Phonograph Co. is proud to present “CLARINET SQUAWK!”, a tribute to the Louisiana Five in an unusual format – part reissue, part recreation. Part One is a celebration of the recorded legacy the Five left behind exactly a century ago. It comprises brand-new digital transfers of seven classic Louisiana Five sides sourced from our own record collections. In Part Two, we’re delighted to present our best attempt to recreate this unusual chapter in jazz history, recorded during the autumn of 2019 in London.
Bridgetown Sextet – Stomp, Defined
“The Bridgetown Sextet’s new album release “Stomp, Defined” is the quintessential representation for the vintage jazz and swing renaissance exploding across the globe. […] What sets The Bridgetown Sextet apart as arguably the most talented vintage hot jazz and swing ensemble in the Pacific Northwest is their ability to not only harness, but intensify the unbridled energy of their musical antecedents.” – Jon Taylor, SwingPortland.com
Bridgetown Sextet – The New Old Fashioned
“[R]etro-gazing is always a dicey proposition, running the risk of being precious, irrelevant, or, usually, both. But the Bridgetown Sextet pulls off their time-travel whimsy by emphasizing musical chops rather than mutton chops. Their tunes are the work of fantastic players, boasting excellent stride piano from both Scott Kennedy and Andrew Oliver, strict tempo from guitarist Doug Sammons and bassist Eric Gruber, and just the right shade of sassafras from John Moak on trombone and David Evans on clarinet and sax. Their new album, The New Old Fashioned, ably captures this combustible energy.” – The Portland Mercury
The Kora Band – New Cities
(Whirlwind Records, 2015)
“The Kora Band doesn’t really sound like any other group. This is an amazing feat, in a century supersaturated with music of every hue, and a convincing testament to the innovative sound of a jazz band successfully incorporating non-Western traditional instruments.” ★★★★ All About Jazz
“An inspired third release for The Kora Band, a transatlantic quintet exploring the links between contemporary jazz and traditional West African music.” ★★★★ Evening Standard
The Kora Band – Cascades
(Origin Records / OA2 2011)
“World jazz” projects frequently come off as gimmicky. Not so with the Kora Band, a group of Portland and Seattle musicians […] who successfully incorporate West African rhythms and textures into their otherwise mainstream jazz sound. “Cascades” proceeds in a manner that’s unhurried and consistently inviting. – Jazziz
“Cascades treads a careful line here, able to fuse the musics into something that is at once modern, thoughtful jazz and innovations upon traditional music.” – All Music Guide
Megan Yvonne & Andrew Oliver – Piano, Voz y Tango (Independent, 2015)
Classic Argentine tangos from the 1920s-1940s are reinterpreted with sultry vocals and a classic jazz piano while still keeping true to the traditional syncopation and undying passion of this beloved genre. Megan and Andrew began performing tangos together for a year before Andrew had the opportunity to move to London. On one of his visits back, Megan and Andrew reserved an afternoon of studio time and recorded what came to be this album. It had been two years since they had rehearsed together but their natural connection and sensitivity to the music felt as if no time had passed since they last played.
Alex Krebs Tango Quartet – Looking Ahead on the Shoulders of the Past (Berretin Records, 2012)
You notice the album and buy it, thinking, “huh, not many tango groups are putting out new original Argentine Tangos.” You put it on and feel as though the group has spent time studying the great orquestas of the Golden Age of Tango but you also sense that they are doing something new. You play the album for your friends and family; they are intrigued because it’s not jazz, not classical music, but at the same time evokes universal feelings of nostalgia, melancholy, joy, playfulness, love, longing and loss. You play it for friends and family that do dance and they get excited because it is danceable and new.
What the Tango ?! – Alt Mission (Berretin Records, 2013)
What the Tango?! explores the alternative vein of tango music — danceable and laid back with acoustic versions and downtempo electronic remixes of the original material. This album takes the legendary flamenco voice of Vicente “El Cartucho” Griego, blends it with the chromodal saxophone lines World/Jazz musician and Professor of World Music at SFSU, Dr. Hafez Modirzadeh, mixes in the tango sounds of the bandoneón, with a rock backbeat in the percussion section, piano, jazz and classical bass, violins and electric guitar.
The Ocular Concern – Sister Cities
(PJCE Records, 2014)
“the category-defying chamber quintet constructs and deconstructs intriguing pyramids of texture, counterpoint and harmony. If M.C. Escher had led a band, this would be the sound of it. The group weaves in jazz, neo-classical, African dance, tango, pop, twang, blasts of crunch-rock and subtle odd-metered funk. Minimalism is a strong influence in the music’s pointed rhythmic layers, but the band delivers it all with a fluidity and warmth that minimalism often lacks. The Ocular Concern’s music ultimately charms with a melodic and almost innocent sense of wonder.” – Downbeat (****)
Tunnel Six – Journeys, Places, Stories
This album takes a different path from our previous releases, showcasing the musical movements that are evident within each of Tunnel Six’s disparate members, while never losing sight of common threads that weave our stories together. The music explores vast landscapes, the peaceful complexity of nature, and the way it’s filtered through the human experience in music. Journeys, Spaces, Stories isn’t simply a collection of songs, but rather an expression of group interplay and band dynamics that have been honed on the road over the last seven years.